{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Maximilien Luce. The instinct for landscape","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/maximilien-luce-l-instinct-du-paysage-12830","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/maximilien-luce-l-instinct-du-paysage-12830'\u003EMaximilien Luce. The instinct for landscape\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe poster for an exhibition must be both appealing and relevant, catching the eye of the passer-by, giving them an idea of the subject and the desire to learn more in the blink of an eye. The choice is rarely obvious. To announce the exhibition devoted to Maximilien Luce, the Mus\u00e9e de Montmartre relied on a safe bet: a poster showing a Neo-Impressionist landscape shimmering with colors (ill. 1). But here again, the poster gives only a partial idea\u003C\/p\u003E\u003C\/blockquote\u003E\n"}