{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Le Cimabue class\u00e9 tr\u00e9sor national","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/le-cimabue-classe-tresor-national","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/le-cimabue-classe-tresor-national'\u003ELe Cimabue class\u00e9 tr\u00e9sor national\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003ELe tableau de Cimabue red\u00e9couvert en France avait \u00e9t\u00e9 adjug\u00e9 \u00e0 la collection Alana pour 24,18 millions avec les frais, mais sans certificat d\u2019exportation. Nous avions alors signal\u00e9 l\u2019int\u00e9r\u00eat de ce proc\u00e9d\u00e9 : permettre \u00e0 l\u2019\u0153uvre d\u00e8s la vente d\u2019obtenir un prix indiscutable sur le march\u00e9 international. Celui-ci l\u2019\u00e9tait d\u2019autant moins que l\u2019acqu\u00e9reur \u00c1lvaro Saieh Bendeck\u003C\/p\u003E\u003C\/blockquote\u003E\n"}