{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Jean Carri\u00e8s enters the Wadsworth Atheneum","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/jean-carries-enters-the-wadsworth-atheneum","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/jean-carries-enters-the-wadsworth-atheneum'\u003EJean Carri\u00e8s enters the Wadsworth Atheneum\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EIt was already thirty years ago : (the late) Louvre des Antiquaires brought to light Charles Auzoux, a jurist, collector close to many artists and especially to the great sculptors of his time [1]. Companion, executor and even adviser to widows, heirs and rights-holders, he occupied a unique position alongside all these great names and thus built up an exceptional collection, piously preserved by his descendants. In Paris, Artcurial auctioned off a fine group of objects from the Auzoux collection in spring\u003C\/p\u003E\u003C\/blockquote\u003E\n"}