{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"In the flesh. Paul Richer, art and medicine","author_name":"Julie Demarle","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/in-the-flesh-paul-richer-art-and-medicine","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/in-the-flesh-paul-richer-art-and-medicine'\u003EIn the flesh. Paul Richer, art and medicine\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EAs we wrote last December, the recent rediscovery in its reserves of a group of sculptures by Paul Richer prompted the Mus\u00e9e des Beaux-Arts de Chartres to devote a retrospective to the artist. This was a major first, but the limited space available for temporary exhibitions meant that it had to be divided into two successive parts, each with its own catalogue. Two decades of sculpture at work were first unveiled, with a panel of some forty sculptures, drawings and decorative objects from the 1880s and 1890s, before the production of drawings,\u003C\/p\u003E\u003C\/blockquote\u003E\n"}