{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"H\u00f4tel Mezzara : \u003Ci\u003ETake the money and run\u003C\/i\u003E","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/hotel-mezzara-take-the-money-and-run","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/hotel-mezzara-take-the-money-and-run'\u003EH\u00f4tel Mezzara : \u003Ci\u003ETake the money and run\u003C\/i\u003E\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EDans notre premier article consacr\u00e9 \u00e0 l\u2019h\u00f4tel Mezzara d\u2019Hector Guimard, \u00e9crit en avril 2020, B\u00e9n\u00e9dicte Bonnet Saint-Georges \u00e9crivait : \u00ab il faut croire que le patrimoine est consid\u00e9r\u00e9 comme un fardeau et que tous les pr\u00e9textes sont bons pour ne pas d\u00e9penser un sou \u00e0 son profit. \u00bb\u003C\/p\u003E\u003C\/blockquote\u003E\n"}