{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Horace Vernet","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/horace-vernet-11420","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/horace-vernet-11420'\u003EHorace Vernet\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EAt the 1855 Universal Exhibition, which took the place of the Salon and where foreign schools came to confront the French school, the latter put four painters in the limelight, who benefited from real retrospectives : Ingres, Delacroix, Vernet and Decamps. They were therefore supposed to represent the full diversity of this school\u003C\/p\u003E\u003C\/blockquote\u003E\n"}