{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Histoire de l\u2019Art, num\u00e9ro 96","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/histoire-de-l-art-numero-96","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/histoire-de-l-art-numero-96'\u003EHistoire de l\u2019Art, num\u00e9ro 96\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EArchives. Mises en \u0153uvre \n\u003Cbr class='autobr' \/\u003E\n Introduction \n\u003Cbr class='autobr' \/\u003E\nDenise Borl\u00e9e et Emmanuel Lamouche, Le cycle de l\u2019archive \n\u003Cbr class='autobr' \/\u003E\nPerspectives \n\u003Cbr class='autobr' \/\u003E\nDenise Borl\u00e9e, Un dessin \u00e0 la loupe. L\u2019\u00e9l\u00e9vation centrale de la fa\u00e7ade occidentale de la cath\u00e9drale de Strasbourg \n\u003Cbr class='autobr' \/\u003E\nOlivier Bonfait, La correspondance de Nicolas Poussin. Document, archive, \u00e9crit \n\u003Cbr class='autobr' \/\u003E\nMichela Passini, Exil et construction de soi. Usages de la correspondance et pulsion d\u2019archives chez Erwin Panofsky \n\u003Cbr class='autobr' \/\u003E\nEmmanuelle Polack, Exposer la tra\u00e7abilit\u00e9 des \u0153uvres. Les (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}