{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Henri Martin - Henri Le Sidaner, two fraternal talents","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/henri-martin-henri-le-sidaner-two-fraternal-talents","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/henri-martin-henri-le-sidaner-two-fraternal-talents'\u003EHenri Martin - Henri Le Sidaner, two fraternal talents\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWith admirable constancy, the Palais Lumi\u00e8re in Evian is working hard to (re)promote and above all exhibit artists considered to be out of fashion, from Jacques-Emile Blanche in the summer of 2015 to Albert Besnard the following year and, more recently, to the \"last Impressionists\", where the two Henris already took pride of place. This impression is confirmed by the book that completes the exhibition - difficult to describe as a catalogue, as we shall come back to - in which the artists are essentially studied separately. In the end, the common features between the artist from the Midi and the one from the \"Hauts de France\" (the new name for the Nord region) are hardly salient, as the book by Yann Farinaux-Le Sidaner and Marie-Anne Destrebecq-Martin admits\u003C\/p\u003E\u003C\/blockquote\u003E\n"}