{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Grand s\u00e9minaire of Besan\u00e7on : call for fundraising and vote","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/grand-seminaire-of-besancon-call-for-fundraising-and-vote","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/grand-seminaire-of-besancon-call-for-fundraising-and-vote'\u003EGrand s\u00e9minaire of Besan\u00e7on : call for fundraising and vote\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EA major restoration is always a failure. It means that the monument has not been maintained when it should have been, that is to say regularly. And when you see the state of the \"pavillon de musique\" of the Grand s\u00e9minaire of Besan\u00e7on, which has belonged to the diocese since 1940, it is obvious. How could a listed monument be allowed to deteriorate to such an extent ? Covered with a tarpaulin since 2009, its interior stucco heavily degraded\u003C\/p\u003E\u003C\/blockquote\u003E\n"}