{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Gabriel Lopp\u00e9 : a travelling painter in search of modernity","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/gabriel-loppe-peintre-voyageur-en-quete-de-modernite-12972","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/gabriel-loppe-peintre-voyageur-en-quete-de-modernite-12972'\u003EGabriel Lopp\u00e9 : a travelling painter in search of modernity\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EContemporary with Eug\u00e8ne Boudin, Gabriel Lopp\u00e9 was born about fifteen years before the main Impressionist painters. Specialising very early in mountain landscapes, he developed an aesthetic quite different from that of his contemporaries, no doubt due to the subjects he depicted, which were still relatively uncommon in the 19th century. It was only in the second half of that century that alpine tourism emerged \u2013 a phenomenon that coincided with the rise of seaside holidays and sea bathing, which likewise drew\u003C\/p\u003E\u003C\/blockquote\u003E\n"}