{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Federico Barocci Urbino. L’emozione della pittura moderna","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/federico-barocci-urbino-l-emozione-della-pittura-moderna-11892","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/federico-barocci-urbino-l-emozione-della-pittura-moderna-11892'\u003EFederico Barocci Urbino. L’emozione della pittura moderna\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe Barocci retrospective currently taking place in Urbino, the artist\u2019s birthplace where he spent most of his career, is curiously the first to be held there, but not the first to be devoted to him. Recently, just over ten years ago, we had the chance to see and review the exhibition presented by the National Gallery in London. We refer those who would like to know a little more about his life and art\u003C\/p\u003E\u003C\/blockquote\u003E\n"}