{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Expertise at risk","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/expertise-at-risk","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/expertise-at-risk'\u003EExpertise at risk\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EFor some time now, paintings by great names of the French 19th century have been appearing on the art market whose attribution, though asserted without nuance, is at best uncertain. All it takes is for the sellers or auctioneers to communicate adequately, and the general press sometimes falls for it and loudly celebrates the pseudo-discovery of a \"masterpiece\" without taking a step back.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}