{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Eternal Spring. Gardens and Tapestries in the Renaissance","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/eternal-spring-gardens-and-tapestries-in-the-renaissance","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/eternal-spring-gardens-and-tapestries-in-the-renaissance'\u003EEternal Spring. Gardens and Tapestries in the Renaissance\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWho still remembers Cardinal Antoine de Granvelle&nbsp;? His memory is still alive in Besan\u00e7on, where the Mus\u00e9e du Temps occupies the former family palace and where the Mus\u00e9e des Beaux-Arts et d\u2019Arch\u00e9ologie rightly prides itself on the magnificent Bronzino that adorned his father\u2019s funeral chapel until the Revolution before becoming one of the most beautiful Italian paintings in French public collections&nbsp;! For its part, Mechelen has not forgotten its first archbishop either, and has dedicated a magnificent exhibition to him at the Hof van Busleyden Museum, focusing on the treasures of his collection, centred on superb tapestries\u003C\/p\u003E\u003C\/blockquote\u003E\n"}