{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Cosimo Rosselli. Catalogo ragionato","author_name":"Matteo Gianeselli","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/cosimo-rosselli-catalogo-ragionato","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/cosimo-rosselli-catalogo-ragionato'\u003ECosimo Rosselli. Catalogo ragionato\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EL\u2019effort de rigueur de l\u2019exposition florentine \u003Cem\u003EMaestri e botteghe. Pittura a Firenze alla fine del Quattrocento\u003C\/em\u003E a permis \u00e0 la production de nombreux artistes d\u2019\u00eatre reconsid\u00e9r\u00e9e. Ce fut le cas de celle de Cosimo Rosselli et de son atelier. Cette r\u00e9\u00e9valuation partielle a ensuite \u00e9t\u00e9 ent\u00e9rin\u00e9e par l\u2019exposition de Cornell, en 2001\u003C\/p\u003E\u003C\/blockquote\u003E\n"}