{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Colmar acquires an early 16th-century panel","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/colmar-acquires-an-early-16th-century-panel","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/colmar-acquires-an-early-16th-century-panel'\u003EColmar acquires an early 16th-century panel\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe vagaries of history have frequently dispersed groups of paintings, thus impoverishing art history and condemning these works, which formed a coherent whole, to no longer being fully understood. Bringing together these dispersed paintings is almost a moral obligation for museums. So we can only be delighted when one of them buys an item that can be linked to an object already in its collections. And we can only be grateful to the patron who makes this possible.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}