{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Choice&nbsp;: Twenty-One Years of Collecting for Scotland ","author_name":"Guillaume Evrard","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/choice-twenty-one-years-of-collecting-for-scotland","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/choice-twenty-one-years-of-collecting-for-scotland'\u003EChoice&nbsp;: Twenty-One Years of Collecting for Scotland \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003ESir Timothy Clifford, \u00e0 la t\u00eate des \u003Ci\u003ENational Galleries of Scotland\u003C\/i\u003E depuis 1984, se retirera dans quelques semaines, \u00e0 60 ans. L\u2019exposition \u003Ci\u003EChoice\u003C\/i\u003E a pour but de faire conna\u00eetre le travail accompli par l\u2019institution \u00e9cossaise, dans le domaine particulier des acquisitions, depuis son arriv\u00e9e \u00e0 Edimbourg en provenance de la \u003Ci\u003EManchester City Art Gallery\u003C\/i\u003E\u003C\/p\u003E\u003C\/blockquote\u003E\n"}