{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Unicorns !","author_name":"Julie Demarle","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/article13583","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article13583'\u003EUnicorns !\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EEight years after Magical Unicorns, one might be surprised by the Mus\u00e9e de Cluny\u2019s decision to devote a new thematic exhibition to the subject. Yet such surprise would be misplaced, since the exhibition\u2019s focus, initially centred on the famous Lady and the Unicorn tapestry series (ill. 1) — on the years around 1500 when it was created and on its subsequent history following its rediscovery around 1840 and its acquisition by the museum in 1882 — has been broadened to encompass a period extending from Antiquity to the present day and a geographical area including non-European civilisations. We shall not return here to those\u003C\/p\u003E\u003C\/blockquote\u003E\n"}