{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Trouville is my own America","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/article12760","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article12760'\u003ETrouville is my own America\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003E“Charles Mozin was the painter of Trouville, just as Le Poittevin was the painter of \u00c9tretat.” That is what we wrote in 2020 about the Eug\u00e8ne Le Poittevin retrospective at the Mus\u00e9e des P\u00eacheries in F\u00e9camp. This statement is confirmed by the current exhibition at the Villa Montebello, the museum of Trouville-sur-Mer, a town whose municipality - which is rare enough to be noted - takes good care of its heritage, as we will have the opportunity to explain in a forthcoming article.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}