{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A new pastel by Maurice Quentin de La Tour purchased by the Mus\u00e9e du Louvredu Louvre","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/article12557","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article12557'\u003EA new pastel by Maurice Quentin de La Tour purchased by the Mus\u00e9e du Louvredu Louvre\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003ELet us begin with Casanova&nbsp;: \"During dinner, my main occupation was to study Silvia, who enjoyed the highest reputation&nbsp;: I judged her to be above everything that had been published about her. She was about fifty years old, elegantly built, with a noble bearing, easy manners, affable, cheerful, subtle in her remarks, obliging to everyone, full of wit and without the slightest air of pretension. Her face was an enigma, for it inspired keen interest and pleased everyone&nbsp;; and yet, on closer inspection, it did not have a single striking feature&nbsp;; one could not say that she was beautiful, but no one would have thought her ugly\"\u003C\/p\u003E\u003C\/blockquote\u003E\n"}