{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A Valadon for Limoges ","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/article12218","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article12218'\u003EA Valadon for Limoges \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003ESuzanne Valadon has been in the spotlight for several years now : the Mus\u00e9e de Montmartre devoted an exhibition to her to mark the 150th anniversary of her birth in 2015, alongside her son Maurice Utrillo and her companion Andr\u00e9 Utter. Then, in 2020, the Limoges and Brou museums decided to present \"Valadon and her contemporaries. Painters and sculptresses, 1880-1940\", a project that was unfortunately transformed by Covid into a virtual exhibition. Abroad, in 2022 the Glyptotek in Copenhagen celebrated the woman who was \"model, painter, rebel\"\u003C\/p\u003E\u003C\/blockquote\u003E\n"}