{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A Bonzanigo and a Cartellier for the Ch\u00e2teau de Malmaison","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/article11369","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article11369'\u003EA Bonzanigo and a Cartellier for the Ch\u00e2teau de Malmaison\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe effigy is recognisable at first glance, despite the overloaded decor of military trophies paying homage to the new master of Italy, even though Napoleon has not yet emerged from Bonaparte : the rather ungrateful profile of the young conquering general sits in pride of place at the centre of this relief, whose dimensions prevent us from describing it as a true \"microsculpture\", a field in which the Piedmontese artist Bonzanigo made a speciality of himself at the end of the 18th-century. The Ch\u00e2teau de Malmaison has therefore been enriched by a new portrait of the young general Napoleon Bonaparte\u003C\/p\u003E\u003C\/blockquote\u003E\n"}