{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Holbein and the Renaissance in the North","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/article11283","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article11283'\u003EHolbein and the Renaissance in the North\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EHe has a receding chin, a trumpet nose and a glassy eye, yet this young man has everything to please because \"he does not suffer from want\" is what it says on his medallion, and that\u2019s what you can tell by looking at his clothes. The hilt of his sword reads \"He who loves woos\". The lucky woman, more gracious than her suitor, or perhaps more flattered by the artist, is portrayed in another companion piece painting.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}