{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Enamels from the Middle Ages at the Brimo de Laroussilhe gallery  ","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/article10969","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article10969'\u003EEnamels from the Middle Ages at the Brimo de Laroussilhe gallery  \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EPyxides, boxes containing Oil of Saints, reliquary shrines, bookbinding plaques and candlesticks - the Parisian gallery \u003Ca href=\"http:\/\/www.brimodelaroussilhe.com\" class=\"spip_out\" rel=\"external\"\u003EBrimo de Laroussilhe\u003C\/a\u003E is bringing together an anthology of enamels from the Middle Ages on the Quai Voltaire until 14 October. Champlev\u00e9 enamels from Limoges are obviously the most numerous. However, a number of 12th-century pieces bear witness to the other major enamelling centres of the Meuse Valley and the Rhine-Mosan region, notably small, isolated plaques of various shapes - rectangular, curved at the top, mandorla-shaped - depicting saints or allegories. Unfortunately, it is often difficult to link them to other similar pieces and to determine which object they decorated, whether a cross, an altar or a reliquary shrine.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}