{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Antoine Caron, an exhibition at the Ch\u00e2teau d’\u00c9couen","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/article10681","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/article10681'\u003EAntoine Caron, an exhibition at the Ch\u00e2teau d’\u00c9couen\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe excellent retrospective exhibition devoted by the Ch\u00e2teau d’\u00c9couen to the painter Antoine Caron, in addition to its many qualities, boasts an extraordinary feat that should encourage any art lover to rush off to the Mus\u00e9e de la Renaissance: the exceptional reunion of all the Valois tapestries , three of which we had already been able to see at Fontainebleau during the exhibition \"L’Art de la f\u00eate \u00e0 la cour des Valois\"\u003C\/p\u003E\u003C\/blockquote\u003E\n"}