{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Artibus et historiae - n°71 (XXXVI), 2015","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/artibus-et-historiae-no71-xxxvi-2015","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/artibus-et-historiae-no71-xxxvi-2015'\u003EArtibus et historiae - n°71 (XXXVI), 2015\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EDaniel Savoy, Keeping the Myth Alive : Andrea Dandolo and the Preservation of Justice at the Palazzo Ducale in Venice \n\u003Cbr class='autobr' \/\u003E\nCarol Herselle Krinsky, Why hand G of the Turin-Milan Hours was not Jan van Eyck \n\u003Cbr class='autobr' \/\u003E\nKatarzyna Krzy\u017cag\u00f3rska-Pisarek, \u2019La Bella Principessa\u2019 \u2013 Arguments against the attribution to Leonardo \n\u003Cbr class='autobr' \/\u003E\nPaul Joannides, Revival or Continuity ? Three turns about Pontormo \n\u003Cbr class='autobr' \/\u003E\nMarcin Fabia\u0144ski, L\u2019iconografia del \u2019Giove pittore di farfalle\u2019 di Dosso Dossi, ossia il sogno di primavera di Alfonso (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}