{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Artibus et historiae - An art anthology - n° 70, 2014","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/artibus-et-historiae-an-art-anthology-no70-2014","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/artibus-et-historiae-an-art-anthology-no70-2014'\u003EArtibus et historiae - An art anthology - n° 70, 2014\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ESommaire \n\u003Cbr class='autobr' \/\u003E\nLinda Borean and William Barcham, Premessa. \n\u003Cbr class='autobr' \/\u003E\nLinda Borean,Scritti di Stefania Mason. \n\u003Cbr class='autobr' \/\u003E\nPierre Rosenberg, En l\u2019honneur de Stefania Mason : les Palma le Jeune de Pierre Jean Mariette. \n\u003Cbr class='autobr' \/\u003E\nCatherine R. Puglisi And William L. Barcham, The Man of Sorrows and Royal Imaging : the Body Politic and Sovereign Authority in Mid-Fourteenth-Century Prague and Paris. \n\u003Cbr class='autobr' \/\u003E\nLinda Borean, L\u2019artista e il suo doppio. Ritratti di pittori del Seicento veneziano. \n\u003Cbr class='autobr' \/\u003E\nBruce Boucher, \u2018La scoltura \u00e8 [\u2026] senza (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}