{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Artibus et historiae - An art anthologie - n°73, 2016","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/artibus-et-historiae-an-art-anthologie-no73-2016","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/artibus-et-historiae-an-art-anthologie-no73-2016'\u003EArtibus et historiae - An art anthologie - n°73, 2016\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EMARILYN ARONBERG LAVIN, « Avant-Garde » in the Late Medieval Apse of Santa Maria in Trastevere \n\u003Cbr class='autobr' \/\u003E\nHANNEKE VAN ASPEREN, The Virgin and the Virtues. Charity in Ambrogio Lorenzetti\u2019s Representation of Good Government \n\u003Cbr class='autobr' \/\u003E\nCOLIN EISLER (with the assistance of CAROLINE KELLY), Fra Antonio Falier da Negroponte\u2019s Madonna and the First Venetian Imperial Style \n\u003Cbr class='autobr' \/\u003E\nJ\u00d3ZEF GRABSKI, The Madonna della Rovere : Raphael in the Workshop of Pietro Perugino \n\u003Cbr class='autobr' \/\u003E\nEMILY A. FENICHEL, Penance and Proselytizing in (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}