{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"An incomprehensible preemption of the Ch\u00e2teau de Fontainebleau","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/an-incomprehensible-preemption-of-the-chateau-de-fontainebleau","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/an-incomprehensible-preemption-of-the-chateau-de-fontainebleau'\u003EAn incomprehensible preemption of the Ch\u00e2teau de Fontainebleau\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EFontainebleau has been spared the fashion for forgeries until now, but it has now taken a dive. The ch\u00e2teau today preempted a recent copy, dating from 1968, of Franz-Xaver Winterhalter\u2019s painting Empress Eugenie Surrounded by her Ladies in waiting now in the Ch\u00e2teau de Compi\u00e8gne, for the sum of \u20ac20,000, not including fees, which makes a total of \u20ac26,000, i.e. the low estimate (there did not seem to be a large crowd of people in the audience to acquire this painting)\u003C\/p\u003E\u003C\/blockquote\u003E\n"}