{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"An important maiolica basin from Urbino for the Clark","author_name":"Julie Demarle","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/an-important-maiolica-basin-from-urbino-for-the-clark","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/an-important-maiolica-basin-from-urbino-for-the-clark'\u003EAn important maiolica basin from Urbino for the Clark\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWe have already written it : always remarkable, the stand of European ceramics occupied at TEFAF by Camille Leprince never fails to attract the interest of numerous European and international institutions. Like the Detroit Institute of Arts, the Clark Art Institute, a regular at the fair, did not make a mistake and acquired, a few months after the 2025 edition, a large maiolica basin, a masterpiece from the Urbino workshops, attributed to the workshop of Orazio Fontana or his nephew Flaminio Fontana. As a flagship piece of the selection presented, it was the subject\u003C\/p\u003E\u003C\/blockquote\u003E\n"}