{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A witness to Marie-Antoinette’s taste enters the Louvre","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-witness-to-marie-antoinette-s-taste-enters-the-louvre","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-witness-to-marie-antoinette-s-taste-enters-the-louvre'\u003EA witness to Marie-Antoinette’s taste enters the Louvre\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe highly mechanical precision of certain revolutionary inventories sometimes leaves considerable room for the imagination, and thus - until recently - we had to be content with dreaming when reading such a description: \"a square base, formed of slabs of red and white Sicilian jasper, decorated at the four corners with grains of strings of onyx and ribboned sardony\u003C\/p\u003E\u003C\/blockquote\u003E\n"}