{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A Venus for Florence","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/a-venus-for-florence","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-venus-for-florence'\u003EA Venus for Florence\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EVenus, about to enter or leave the water, preserves her modesty by covering - poorly - her naked body with a drape. The expression on her face varies from one work to another, more or less chaste or mischievous. Luigi Pampaloni was probably inspired by Canova\u2019s famous Venus Italica to represent the goddess in the bath, which was commissioned from him in 1836 by the American collector Meredith Calhoun,\u003C\/p\u003E\u003C\/blockquote\u003E\n"}