{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A Van Gogh for ’s-Hertogenbosch","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-van-gogh-for-s-hertogenbosch","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-van-gogh-for-s-hertogenbosch'\u003EA Van Gogh for ’s-Hertogenbosch\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EHer nickname, \u2018the Mona Lisa of Brabant\u2019 does not work in her favour. Van Gogh\u2019s comparison of this Head of a Woman with the smiling, refined Mona Lisa is a little harsh, especially as the Dutch master himself considered that \"a painting of peasants should not smell of perfume\". Nevertheless, this painting, done in 1885 when the artist was in North Brabant, is a major work from the beginning of his career.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}