{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A report on Versailles by the French Court of Accounts","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-report-on-versailles-by-the-french-court-of-accounts","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-report-on-versailles-by-the-french-court-of-accounts'\u003EA report on Versailles by the French Court of Accounts\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe Court of Accounts\u2019 reports on public cultural institutions are always interesting reading and most of the time raise excellent questions. Their only limitation is, sometimes, a lack of knowledge of the heritage issues facing the organisations they audit, although this is relative as some members of the Court are very familiar with these questions. As the role of the Court of Accounts is to \"ensure the proper use of public money\", it can sometimes judge that expenditure is excessive or poorly\u003C\/p\u003E\u003C\/blockquote\u003E\n"}