{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A painting by Rachel Ruysch and Michiel van Musscher for the Metropolitan Museum of Art","author_name":"Paul Jeromack","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-rachel-ruysch-acquired-by-the-metropolitan-museum-of-art","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-rachel-ruysch-acquired-by-the-metropolitan-museum-of-art'\u003EA painting by Rachel Ruysch and Michiel van Musscher for the Metropolitan Museum of Art\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E18\/5\/23 - Acquisition - New York, Metropolitan Museum - At a time when American and European museums have made the acquisition of female artists a top priority, the European Paintings department of the Metropolitan Museum of Art can point with pride to their holdings by female old masters, most of them gifted or bequeathed. Among them is a major Artemisia Gentileschi of Esther Swooning before Ahasueras, three recently bequeathed pictures by the seventeenth century nun Orsola Maddalena Caccia (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}