{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A painting by Gretchen Woodman Rogers for Washington","author_name":"Julie Demarle","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-painting-by-gretchen-woodman-rogers-for-washington","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-painting-by-gretchen-woodman-rogers-for-washington'\u003EA painting by Gretchen Woodman Rogers for Washington\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWe underlined it again last autumn, the entry of works by women artists in its collections has been a priority axis of the acquisition policy of the National Gallery of Art in Washington in recent years. Thus, without much surprise, the Gallery announced at the beginning of March the purchase of three new works by women painters who were not yet in its collections : Caterina Angela Pierozzi, Fede Galizia and Gretchen Woodman Rogers. We will return to each of them, starting with the painting of one of the most noted artists of the Boston School.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}