{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A painting by Antonio Balestra for the Accademia di Venezia","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/a-painting-by-antonio-balestra-for-the-accademia-di-venezia","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-painting-by-antonio-balestra-for-the-accademia-di-venezia'\u003EA painting by Antonio Balestra for the Accademia di Venezia\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EItalian museums are much more active in terms of acquisitions than reading La Tribune de l\u2019Art might suggest. Thus, the Gallerie dell\u2019Accademia in Venice has been the subject of only five articles, of which only four deal with acquisitions, including two recent ones (a painting by Giulia Lama and another by Pietro Ricchi).\u003C\/p\u003E\u003C\/blockquote\u003E\n"}