{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A new Lallemant for Rennes","author_name":"Alexandre Lafore","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/a-new-lallemant-for-rennes","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-new-lallemant-for-rennes'\u003EA new Lallemant for Rennes\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EFor two and a half years, we had been hoping for a happy conclusion for a magnificent painting by Georges Lallemant: King David Playing the Harp, which had captivated us at the stand of the Parisian dealer Franck Baulme at the Brussels BRAFA. He had already succeeded in rediscovering a riot scene by the artist, unveiled during Fine Arts Paris and subsequently acquired by the Mus\u00e9e du Grand Si\u00e8cle, and one could only hope to see a second museum acquire King David. Thanks to the dynamism of Guillaume Kazerouni, well known to the readers of La Tribune de l\u2019Art, this will soon be the case, and the painting will join a reference collection for seventeenth-century French painting, that of the Mus\u00e9e de Rennes.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}