{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A museum without art history","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-museum-without-art-history","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-museum-without-art-history'\u003EA museum without art history\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe fact that the catalogue of the exhibition \u2018G\u00e9ricault\u2019s Horses\u2019 contains no text relating to the works exhibited is not the only problem with this scandalous retrospective, but it is an essential one. At no point are the attributions of the works, many of which are completely new, justified or even discussed. In the absence of notes, these could at least be developed in the essays, but this is never the case.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}