{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A Kiss in Nemours: a relief by Desvergnes","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/a-kiss-in-nemours-a-relief-by-desvergnes","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-kiss-in-nemours-a-relief-by-desvergnes'\u003EA Kiss in Nemours: a relief by Desvergnes\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EDifficult to compete with Rodin or Brancusi. Yet the greatest sculptors do not hold a monopoly on the kiss, and one Charles Desvergnes did not hesitate to tackle the subject, choosing instead to depict Sapphic love: two nude women embrace, or rather brush against one another, one leaning towards the other, whose languid body emerges from the still rough block of clay\u003C\/p\u003E\u003C\/blockquote\u003E\n"}