{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A first Claudel for the Wadsworth","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/a-first-claudel-for-the-wadsworth","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-first-claudel-for-the-wadsworth'\u003EA first Claudel for the Wadsworth\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EOf modest size, this is a very small sculpture that might go unnoticed, yet it managed to attract attention at the last edition of TEFAF Maastricht, where the Galerie Malaquais was participating for the very first time. A plaster, almost unseen, was thus acquired by the Wadsworth Atheneum Museum of Art, whose recent additions of European sculpture have not escaped our notice — from F\u00e9licie de Fauveau to Jean Carri\u00e8s, not forgetting Arnold B\u00f6cklin or Giambologna ! Drawing on the Douglas Tracy Smith and Dorothy Potter Smith Fund\u003C\/p\u003E\u003C\/blockquote\u003E\n"}