{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A first Biegas for Chicago","author_name":"Alexandre Lafore","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/a-first-biegas-for-chicago","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-first-biegas-for-chicago'\u003EA first Biegas for Chicago\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EEnigmatic, the work intrigues before it charms, as is often the case with the still too little-known Boleslas Biegas. While the sculptor is highly renowned among admirers of the final flowering of Symbolism, he is unfortunately not yet well known to the general public. The acquisition of this plaster by the American museum can therefore only help the Polish artist attain the recognition he deserves in our eyes, as both his life and his work are likely to appeal to a wide audience. Reappearing at a sale held by Bonhams Cornette de\u003C\/p\u003E\u003C\/blockquote\u003E\n"}