{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"A beggar for Florence, an elegant lady for Milan","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/a-beggar-for-florence-an-elegant-lady-for-milan","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/a-beggar-for-florence-an-elegant-lady-for-milan'\u003EA beggar for Florence, an elegant lady for Milan\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe exhibition on “The Black Model” at the Mus\u00e9e d\u2019Orsay began its discussion at the end of the 18th century, considering that before the abolition of slavery, Black people in art were reduced to stereotypes, assigned the roles of pages and magicians, exotic feathered figures, charged with embodying a fantasised Orient\u003C\/p\u003E\u003C\/blockquote\u003E\n"}