Exhibitions

À la une

  • Christofle: a brilliant history

    At last! Long awaited and hoped for over several decades, such a rich Christofle exhibition can only please lovers of jewellery - and objets d’art in general - but its real success lies in the way…

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Derniers articles publiés

  • Eternal Spring. Gardens and Tapestries in the Renaissance

    Who still remembers Cardinal Antoine de Granvelle? His memory is still alive in Besançon, where the Musée du Temps occupies the former family palace and where the Musée des Beaux-Arts et…

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  • An exhibition on Gros and Girodet in Montargis

    Nous n’avons vu cette exposition que samedi dernier. Elle est presque passée inaperçue faute d’une communication suffisante, et cela est vraiment dommage car le sujet est passionnant même si son…

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  • Zurbarán. Reinventing a masterpiece

    L’exposition Zurbarán du Musée des Beaux-Arts de Lyon et celle qui se tient au même moment sur Guido Reni à Orléans relèvent d’un genre médian entre l’exposition-dossier et la rétrospective. Avec la…

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  • Passion Renaissance. Artists’ legends in the 19th century

    Raphael often fell in love, the shady Michelangelo dared to sulk to the Pope, and Leonardo breathed his last under the nose of the King of France... The paintings on display at the Musée de…

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  • Bruno Liljefors. Wild Sweden

    The latest instalment in a series of exhibitions, widely discussed on our pages, that the Petit Palais has been devoting over the last decade to the Scandinavian art scene at the end of the 19th…

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Dans cette rubrique

  • In the studio of Guido Reni

    In the Guido Reni retrospective in Frankfurt, which we were lucky enough to visit and about which we wrote and produced a video, a painting in the Musée des Beaux-Arts d’Orléans, David Contemplating…

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  • Trompe-l’œil, from 1520 to the present day

    There’s no danger of them fooling many people when they’re deployed in this way. Bringing together eighty trompe-l’œil works, does it not deprive them of their power of illusion? This is the first…

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  • Jean-Baptiste Oudry, peintre de courre

    Unfortunately, the cartoons of the Royal Hunting Wall Hanging, which have been enshrined in the Bellifontaine panelling since the reign of Charles X, are not the best-known treasures of the…

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  • Making stones speak. Medieval sculptures at Notre-Dame

    Notre-Dame is in the news, sometimes for the worse with Emmanuel Macron’s plan to remove Viollet-le-Duc’s stained glass windows and also for the better: the reopening of the cathedral, first of…

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  • Caillebotte. Painting men

    One should never underestimate the effects of opportunity: if the Musée d’Orsay has dedicated itself to celebrating Gustave Caillebotte, it is not (just) for the 130th anniversary of his death, nor…

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  • Guillon Lethière, "born in Guadeloupe"

    Born in Guadeloupe (it’s in the title of the exhibition) in 1760, the natural son of Pierre Guillon, a plantation owner, and a mixed-race mother who had been born a slave but had been freed. It is…

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  • Maarten van Heemskerck

    It is difficult to present Maarten van Heemskerck as a complete unknown, even though that is what the great Dutch artist is in the eyes of the public: we must therefore begin by saluting the…

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  • François Chifflart the unsubmissive

    With the François Chifflart exhibition, the Maison de Victor Hugo continues a fascinating series devoted to artists associated with the poet. Following on from François-Auguste Biard, a…

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  • Harriet Backer (1845-1932) The music of colors

    After Edvard Munch, Harriet Backer. The Musée d’Orsay has confirmed its interest in Norwegian art, which, as we have pointed out on a number of occasions, is, like Scandinavian art in general, a…

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  • The Senn family, collectors and patrons

    Olivier Senn’s father-in-law, Ernest Siegfried, hated contemporary painting and found his son-in-law’s artistic tastes questionable, not to say dubious. So he decided to give him a selection of…

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  • On horseback: equestrian portraiture in Renaissance France

    "Train the brain more than the kidneys and legs [1]". The advice was given to train a horse, but it applies just as well to educate a man. Antoine de Pluvinel, the king’s first equerry, teacher to…

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  • The Birth and Renaissance of Italian Drawing

    Because friendship also sometimes exists between institutions, it should come as no surprise to see this fine selection of Italian Renaissance drawings on loan to Paris, just ten years after the…

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  • Ribera. Darkness and light

    This Ribera exhibition at the Petit Palais is a real event, since for the first time a retrospective devoted to this artist - the first in France, in fact - finally makes it possible to compare…

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  • Jean Lurçat. Earth, Fire, Water, Air

    Familiar with the Lot region, where he settled after the Second World War, and a privileged resident of the Sant Vicens pottery in Perpignan from 1951 onwards, Jean Lurçat is one of the artists…

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  • "Cathars". Toulouse in the Crusade

    How do you create a good history exhibition? The recipe may seem simple, but first you need a good subject, if possible one that will appeal to a broad public, perhaps with a touch of polemic,…

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  • Liners 1913-1942. A transatlantic aesthetic

    The exhibition at the Musée des Beaux-Arts de Nantes is remarkably well staged, with superb works of art to discover. It is therefore well worth a visit, but it should be pointed out that those…

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  • A Devambez exhibition at Nicolas Schwed

    There are certain artists who La Tribune de l’Art comes back to often, so often are they in the spotlight. André Devambez is one of them, and we make a point of mentioning him whenever we can,…

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  • Henri Martin - Henri Le Sidaner, two fraternal talents

    With admirable constancy, the Palais Lumière in Evian is working hard to (re)promote and above all exhibit artists considered to be out of fashion, from Jacques-Emile Blanche in the summer of 2015…

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  • Figures of the Fool. From the Middle Ages to the Romantics

    This old man on all fours, ridden and whipped by a woman, is Aristotle, who has fallen under the yoke of the troubling Phyllis. The philosopher, tutor to Alexander the Great, saw his pupil…

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