Contents
Lisandra Estevez and Patricia Zalamea, Introduction
Patricia Zalamea, Translating Prints : Images of Greco-Roman Gods in Viceregal Peru
Babette Bohn, The Joys and Sorrows of Investigating Women Artists in Early Modern Bologna
Raffaella Morselli, Bologna, centro d’arte e di carità fra sedicesimo e diciassettesimo secolo
Daniele Benati, Ludovico Carracci : un nuovo Matrimonio mistico di santa Caterina
Eveline Baseggio, From Scripture to Stage and Canvas : The Evolution of Judith
David García Cueto, On the Cleaning and Provenance of Caravaggio’s David with the Head of Goliath at the Prado
Jeffrey Fraiman, The Matter of Caravaggio’s Sexuality
Deborah Feller, After-Images of Childhood Trauma in the Work of Three Seventeenth-Century Artists
Michel Hochmann, Une expertise de l’Aliense et le plafond de la salle des banquets au palais des Doges
Lisandra Estevez, Performative Polychromy in Juan de Valdés Leal’s Pietà
Catherine Whistler, Becoming Tiepolo : Drawing, Graphic Exploration and Artistic Education
Stéphane Loire, Jacques-Louis David et les voyageurs anglais à Paris en 1802
William L. Barcham, Views of the Zattere, the ‘New Part of Venice’, where the Water is ‘More Gray than the Overbending Sky’
Thomas Martin, Filarete’s Greek. An Episode in the Return of Greek to the West
Otfried Garbe, Zur Bedeutung des Torso Gaddi und einiger antiker Reliefs für Michelangelos Kentaurenschlacht
JUstyna Łuczyńska-Bystrowska, Italian Cuttings from the Papal Collection of Illuminated Manuscripts from the Sistine Chapel. A Rediscovery in the National Museum in Cracow