Contents
Papers in Honour of William L. Barcham
Introduction
William L. Barcham, List of Publications
Fulvio Zuliani, Strategie narrative e spaziali nelle Storie di Sant’Orsola di Tomaso da Modena a Treviso
Helena Katalin Szépe and Federica Toniolo, Celebrating Athanasius in Venice. Illuminated Manuscripts for the Nuns of Santa Croce alla Giudecca
Tiziano Franco, Testimonianze artistiche di contesti monastici femminili a Verona (XIV–XV secolo)
Deborah Howard, Venetian Galleys as Domestic and Ritual Space
Catherine Whistler, Invention and Devotion in Giovanni Bellini’s Uffizi Lamentation
Mauro Lucco, Pietro da Vicenza, non Pasqualino. Ma quale Pietro ?
Beverly Louise Brown, Sculpted in My Heart : Titian and the Secrets of La Schiavona
Peter Humfrey, More on Dosso’s Aeneas Frieze
Michel Hochmann, À propos d’un album de photographies méconnu : Simone Bianco et Tiziano Aspetti au palais Grimani de Santa Maria Formosa
Philip Sohm, Venetian Finger Painting after Titian
Stéphane Loire, Les tableaux de Véronèse dans l’Inventaire Napoléon (1810)
Stefania Mason, Dentro e fuori la bottega di Tintoretto : il caso di Paolo Fiammingo
John Marciari, ‘Drawing in Tintoretto’s Venice’ : Marginal Notes to an Exhibition
Catherine Puglisi, ‘Certe palliole da processione’ : Guido Reni, Silk, Civic Piety and Ceremony
Linda Borean, L’eredità di Giovanni Maria Sasso
Jan K. Ostrowski, The Assumption of the Virgin Mary in a Triumphal Chariot : A Contribution to Marian Iconography and to the History of Art History
Massimo Favilla and Ruggero Rugolo, Ideologie da soffitto : Giambattista Tiepolo per le case Corner, Manin e Mocenigo
Damian Dombrowski, Ein Reich der Frauen. Giovanni Battista Tiepolo, Vasall der Weiblichkeit
Keith Christiansen, Tiepolo’s Apollo and Hyacinth and its Preparatory Drawings