Contents
Catherine Jenkins, Parmigianino’s Judith: A new etching
Maria Gabriella Matarazzo, Cornelis Bloemaert’s workshop in Rome
Lucia Simonato, Cornelis Bloemaert’s 1692 estate inventory and his final years
Sileas Wood, Moving pictures: Nineteenth–Century british mechanical prints
Paul Coldwell, Jim Dine – Printmaking and the tools of his trade
Notes
Debra Pincus, Aldus Manutius and The Woodcut in Italian Books (Aldo Manuzio: Renaissance in Venice)
Jean-Michel Massing, Fifteen Signs Before Doomsday (Die Fünfzehn Zeichen vor dem Jüngsten Gericht)
Nadine Orenstein, Een Rijke Traditie: Twee eeuwen Nederlandse prenkunst uit privébezit
Edward H. Wouk, Maarten Van Heemskerck (1498–1574) (Les villes détruites de Maarten van Heemskerck)
Galina Mardilovich, The Pushkin’s Seasons in Netherlandish Graphic Art (Vremena goda v Niderlandskoi grafike)
An Van Camp, Hans Bol’s Emblemata Evangelica
Deborah L. Krohn, Festival Prints (The Edible Monument)
Peter Van der Coelen, Adriaen van Ostade (1610–85)
Elmer Kolfin, Coloured Prints (Afsetters en meester–afsetters: De kunst van het kleuren)
Rebecca Zorach, Claude Mellan (1598–1688)
Deborah Howard, Lost in Translation: Reinterpretation of Architectural Treatises (Traduire l’architecture)
Christiane Wiebel, Karoline Luise von Baden as Collector
John E. Moore, Piranesi’s Published Books
Kristel smentek, Ephemera in Revolutionary France (The Politics of the Provisional)
Martin Myrone, William Blake (1757–1827)
Katarina Klaric, Adam Buck (1759–1833)
Rosina Buckland, Japanese Prints from the Barbara S. Bowman Collection
Joana P. R. Neves, The Power of Line
Martin Hopkinson, Nikolai Astrup (1880–1928)
Catalogue and Book Reviews
Larry Silver, Early Dürer Woodcuts
Sheila O’Connell, The Land of Cockayne and the Joys of Matrimony
Marc Gotlieb, The Distinguished Images of Nineteenth–Century France
Robert Conway, Associated American Artists, 1934–2000