Sommaire
Lorenzo Gnocchi, Carlo Del Bravo (1935–2017)
Irina Chernetsky, The Image of Florence in Lorenzo Ghiberti’s Gates of Paradise
Alison Manges Nogueira, Antonio Pollaiuolo’s Designs for the Equestrian Monument to Francesco Sforza : Patronage and Portraiture at the Court of Milan
Pascale Dubus, Peindre l’homme inanimé : le corps en raccourci au Cinquecento
Michael W. Kwakkelstein, The Limited Impact of Leonardo da Vinci’s Ideas on Painting in Sforza Milan
Nils Büttner, Plus semper quam pingitur : The Catholic Bruegel
Anthony Apesos, Titian’s Flaying of Marsyas : Colorito Triumphant
Shigetoshi Osano, The Newly Discovered Portrait of Ito Mansio by Domenico Tintoretto : Further Insight into the Mystery of its Making
Marie-Louise Lillywhite, The Decoration of the Jesuit Church of the Madonna dell’Umiltà in Venice, 1560–1606
Mary D. Garrard, Michelangelo and the Gaze of Medusa
Saskia Rubin, Domine, Quo Vadis ? Annibale Carracci Approaches an Old Theme Anew
Irving Lavin, Marilyn Aronberg Lavin, Bernini’s Bust of Prospero Farinacci
Kristoffer Neville, Virtuosity, Mutability, and the Sculptor’s Career in and out of the Low Countries, 1550–1650
Giovan Battista Fidanza, The Ephemeral Apparatus for the Funeral of Jan III Sobieski in Rome : Cardinal Carlo Barberini’s Art and Politics
Frank Zöllner, Werner Tübke’s History of the German Working Class Movement of 1961 and its Place within his Commissioned Art Works