The Burlington Magazine - n° 1366 vol CLIX - January 2017


Helen Oakden, History of Art A Level


Emma Capron, Simone Martini’s last documented work

Alice Sedgwick Wohl, The Lisbon Bible and the Throne of Portugal

Enrico Maria dal Pozzolo, Montemezzano in Lancashire

Pietro C. Marani,Giulio Bora, Milan 1630 : the festivities to celebrate the birth of Prince Balthasar of Spain and an invention by Leonardo da Vinci

Thomas Dilworth, David Jones’s ’Self-Portrait’ (1928)


Simon Lee, Delacroix


Edward McParland, Anne Crookshank (1927-2016)


John Wilson, Italian, Spanish and French Paintings before 1850 in the San Diego Museum of Art, by John Marciari

Juliana Barone, ’Bella quanto l’originale istesso’ : La Copia del Cenacolo della Royal Academy di Londra. Vicende, fortuna, attribuzione, by Pietro C. Marani

Sylvia Ferino-Pagden, Raphael’s Ostrich, by Una Roman D’Elia

Paul Joannides, El Greco in Italia : Metamorfosi di un genio, edited by Lionello Puppi, and Saggi, edited by Lionell Puppi

Charles Hope, Le Coloris vénitien à la Renaissance. Autour de Titien, by Isabelle Bouvrande

Robert B. Simon, Bernard Berenson : Formation and Heritage, edited by Joseph Connors and Louis A. Waldman

Dennis P. Weller, Aux origines d’un goût : La peinture baroque aux Etats-Unis, edited by Anna Ottani Cavina and Keith Christiansen

Molly Brunson, The Russian Canvas : Painting in Imperial Russia, 1757-1881, by Rosalind P. Blakesley

Christina Lodder, Lazar Khidekel and Suprematism, edited by Regina Khidekel

Patricia Smithen, Jackson Pollock’s ’Mural’ : Energy Made Visible, by David Anfam

Carl Brandon Strehlke, Galleria Nazionale dell’Umbria : dipinti e sculture dal XIII al XV secolo. Catalogo generale I, by Vittoria Garibaldiy

Andrea De Marchi, Corpus of Sienese Paintings in Hungary 1420–1510, by Dóra Sallay

Beverly Louise Brown, Architecture, Art and Identity in Venice and its Territories, 1450–1750, edited by Nebahat Avcioǧlu and Emma Jones ; Artistic Practices and Culture Transfer in Early Modern Italy, edited by Nebahat Avcioǧlu and Allison Sherman ; and Venetian Painting Matters (1450–1750), edited by Jodi Cranston


Marilyn McCully, Picasso portraits. London and Barcelona

Elizabeth Coatsworth, Opus Anglicanum. London

James Cahill, Classicism in British art, 1920–1950. Chichester

David Ekserdjian, Marcantonio Raimondi. Manchester

Markus Lähteenmaki, The Shchukin collection. Paris

Luke Naessens, Jean-Luc Moulène. Paris

Patrick Bade, Albert Besnard. Evian and Paris

Martha Barratt, Tino Seghal and other performances. Paris

Rachel Sloan, Fantin-Latour. Paris and Grenoble

Debra Higgs Strickland, Hieronymus Bosch. ’s-Hertogenbosch and Madrid

Philip McEvansoneya, Creating History. Dublin

Jonathan J. G. Alexander, Illuminated manuscripts in Boston collections. Boston

Richard R. Brettell, Early Monet. Fort Worth and San Francisco

Publications received


Notes on contributors

La Tribune de l’Art, mercredi 1er février 2017

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