Artibus et historiae - n°71 (XXXVI), 2015


Daniel Savoy, Keeping the Myth Alive : Andrea Dandolo and the Preservation of Justice at the Palazzo Ducale in Venice

Carol Herselle Krinsky, Why hand G of the Turin-Milan Hours was not Jan van Eyck

Katarzyna Krzyżagórska-Pisarek, ’La Bella Principessa’ – Arguments against the attribution to Leonardo

Paul Joannides, Revival or Continuity ? Three turns about Pontormo

Marcin Fabiański, L’iconografia del ’Giove pittore di farfalle’ di Dosso Dossi, ossia il sogno di primavera di Alfonso d’Este

Michele Danieli, Quattro dipinti di Scarsellino nella collezione Canonici e le loro fonti figurative

Steven F. Ostrow, Pietro Tacca and his ’Quattro Mori’ : The beauty and identity of the slaves

Krzysztof J.Czyżewski, Marek Walczak, The monuments with portrait busts of the bishops of Cracow : on the History of the reception of roman baroque models of sepulchral art in Poland (Bernini – Algardi – Rossi)

Barbara Hryszko, Alexandre Ubeleski (Ubelesqui) : the œuvre of the painter and the definition of his style

Jesper Svenningsen, Mattia Preti’s Vault in Saint John’s, Valletta : new light on a complex iconography

Joseph Manca, British landscape gardening, Italian Renaissance painting, and the Grand Tour


La Tribune de l’Art, jeudi 6 août 2015





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