Sommaire
Anthi Andronikou, Visual Anachronisms in Context : Religious Painting in Venetian Cyprus and Medieval Bolognese Manuscripts
Dobroslawa Horzela, Voluntary Poverty and the Relation of Potential Text and Image in the Stained-Glass Cycle of St Alexis in Königsberg in der Neumark (present-day Chojna, Western Pomerania)
Steven J. Cody, Mantegna and the Orators : The Invention of the Mars and Venus for Isabella d’Este Gonzaga
Allison Fischer, Portraits of Alexander the Great During the Italian Renaissance
Livio Pestilli, On The Crucifixion of St Peter Relief in Bramante’s Tempietto
Stefano Colombo, Portraits of Sovereignty : Jacopo Palma Giovane and the Doges’ Commemorative Cycle in the Doge’s Palace, Venice
Jack Wasserman, Jacopo Pontormo’s Virgin and Child with Saint Anne in the Louvre
Cyril Gerbron, Présences énigmatiques : les natures mortes de Juan Sánchez Cotán
Catherine Hunt, The Saltonstall Family : A Study of Time, Space and Memory
Stefano Pierguidi, Ferrata e Guidi, ‘giovani’ di Algardi, in Sant’Agnese : una contesa interna
Alexandra Libby, Innovation and Identity in Cornelis Gijsbrechts’ A Hanging Wall Pouch
Liana DeGirolami Cheney, Giulia Lama : A Luminous Painter and a Tenebrist Poet
Wojciech Balus,"Je suis celui qui sui". Text, Ornamental Form, and Epiphany in Józef Mehoffer’s God the Father Stained Glass in Freiburg (Switzerland)
Conrad Rudolph, Amit Roy-Chowdhury, Ramya Srinivasan et Jeanette Kohl, FACES : Faces, Art, and Computerized Evaluation Systems – A Feasibility Study of the Application of Face Recognition Technology to Works of Portrait Art
Résumés
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